Sound Art Lecture Background From: Manchester Practice Examples: Instillations, Graphic Scores, Live Performance Background Story to Sound Practice When he was 10, playing in the back alleys a neighbor blew a dog whistle but he couldn’t hear it…this left him mind stuck which was the begging to his interest about the sonic world. Example Work […]
Website https://liamazzari.com/ Response to Scores I was really interested in learning about the concept of a creative response to someones score. A creative outlet and a creative practice to respond to someones work. For Example… … a Public Intervensions Visuals An archive of high quality visuals was inspiring and something I want to take inspiration […]
This lecture was hosted by two speakers, Rory Salter & Ecka Mordecai Rory Salter Background Rory is a graduate from sound art however feels he’s a musician at heart rather than a sound artist. Field Recording Field recording is a massive part of his practice. I was fascinated by his theories and thought patterns when […]
Professor of Sound Arts Director of CRiSAP (Creative Research in Sound Arts Practise) www.crisap.org Background Cathy was a street performer to begin with. Practice Cathy works with multichannel recordings in which investigate topics or place and capture memory. Can you hear sonic traces of pasts memorys in present time? Cathy works with 3 elements Musical […]
Derek Baron – Work Titles Isolated Field Recording Series – Derek Baron – To The Platenriom Time and Meaning Collection Deeper Meaning ‘Time and Unit Collection’, collecting ideas though a process of setting up the objective conditions at the beginning. For example, inclusion of writing into a book of a real life circumstance of a […]
Working with Field Recordings Field Notes Field Notes can be documented in multiple ways, Recorded with Voice Written in Text Manipulates Field Notes into his Practice, Subtitles On Screen Text Audio Playback He includes Writing Constraints for example, 100 word cap taking field notes What is Sonic Exceptisation? Idea one sound having many meanings… We […]
Rie Nakajima works in sculpture, insulation and performance. She’s from Japan Studied at Chelsea 2005 Her work involves battery powered motors interacting with objects to create a performance of sound. Objects become instruments The motors would spin objects into other objects, the interaction of different textures create unique sounds.
Sound Lecture Important Figure in BA Verity of Projects “On Something” Instagram Project Socially Engaged Projects Series of Gallery Work, Site Specific “On Something” Interactive Sound What is interactive sound? When the sound interacts with the visuals. Visuals change due to how sound is played back, the interaction between sound and visuals was interesting to […]